This year’s London Design Festival sparked a unique collaboration between Arthur Beale – London’s last remaining Yacht Chandler- and our very own BA Jewellery staff. The ‘Countercurrent’ exhibition brought an unexpected confrontation of two differently evolved sets of craft skills and traditions. Here’s a taste of some of our staff’s final creations.
Following the extremely successful exhibition Shelf Life at Vitsoe in Munich, Lucie Davis and Si-Xing Season Cheng are both featured in the 10 Best Newcomers at Munich Jewellery Week 2016 article from Art Jewelry Forum. Congratulations!
Read the article here
an exhibition of BA Jewellery Design staff and student work on show at Vitsoe showroom, Turkenstrasse 38, Munich
20 February – 1st March 2016
Exhibition view, Second Hand, First Hand: Caroline Broadhead and Maria Militsi, 2015, Marsden Woo Gallery, London. Photo: Philip Sayer
Second Hand, First Hand: Caroline Broadhead and Maria Militsi
October 14–November 14, 2015
Marsden Woo Gallery, London, UK
I’d like to begin this article with some bibbidi-bobbidi-boo. That is, “the thingamabob that does the job,” or the magic that brings objects to life. Bibbidi-bobbidi-boo could be likened to Walter Benjamin’s notion of “aura,” to the “uniqueness” and “mystique” of the work of art as described in his The Work of Art in the Age of Mechanical Reproduction (1936); but it also comprises the fantastical, the transfusion of sparkle into things. I am, of course, making reference to Walt Disney’s Cinderella (1950), in which Cinderella’s dress is magically transformed from torn rags to haute couture just in time for her to make it to the ball; and it strikes me that artists Caroline Broadhead and Maria Militsi are our modern, magic-making equivalents.
Entering Second Hand, First Hand, the two artists’ recent exhibition at Marsden Woo Gallery, London, is like stepping into Cinderella’s scullery, with its barren concrete floor, bare wooden table and woven stool, and kitchen utensils strewn about. Yet a closer look reveals the creeping jewel-like texture of the space. There are echoes of J. G. Ballard’s 1966 novel The Crystal World, references to the encroaching crystallization of objects that “glistened like wedding-cakes,” and with “a ceaseless play of light” across their surfaces. Broadhead and Militsi have rendered a performance in which the materials take center stage. These are not objects that merely provide the backdrop, but that have realigned themselves with the enchantment and allure of making.
Read the full review on Art Jewelry Forum
Ted Noten: Non Zone
Ted Noten: Non Zone
Ted Noten: Non Zone
Whilst in Rotterdam, Lecturer Lin Cheung paid a visit to Ted Noten’s show at The Museum Boijmans Van Beuningen in Rotterdam. She shared some of her images with us.
Unpinned, an exhibition by off work from second year BA Jewellery Design students.
During their first year BA Jewellery Design students made jewellery and art in response to the story of the Foundling Hospital.
This project engaged the students with the rich history of the Foundling Hospital. Over a series of visits to the Museum and the London Metropolitan Archives, each student produced an artistic response to the history of the Hospital, their pieces linked to an object or element of the story.
Covering a range of materials and processes, these diverse pieces offer fresh and engaging ways of looking at the Foundling Hospital story. An exhibition of the students’ work can be found in the Introductory Gallery, while a selection of their jewellery will be on sale in the Museum Shop from November.
Exhibition: 3 November to 31 January 2016
Opening times: Tue – Sat: 10:00 – 17:00 | Sun: 11:00 – 17:00 | Mon closed
Foundling Museum, 40 Brunswick Square, London, WC1N 1AZ
A small show of new work at m2 Gallery by BA Jewllery Design Lecturer Lin Cheung.