Congratulation to Mizuki Tochigi our 2019-2020 Grand Prix LVMH Scholarships recipient.
LVMH and Central Saint Martins have enjoyed a close relationship over many years, strengthened in 2011 with the creation of the three original Grand Prix LVMH Scholarships, and sponsorship of the LVMH Lecture Theatre, a versatile space hosting a wide range of thought provoking events and lectures.
Over the years CSM LVMH collaborative projects have resulted in design proposals for a number of Maisons, including sustainability and innovation projects across all CSM disciplines.
Find out more about Mizuki’s work here
Congratulations to Isla Gilham, Eloise Kramer and Wen-Ju Tseng as the winners of IJL’s Bright Young Gems for 2019.
Now in its fifteenth year, IJL’s illustrious Bright Young Gems project selects talented designers who are recent graduates or current students of jewellery schools in the UK. These star designers of the future get the unique opportunity to exhibit their work at IJL, a premier jewellery industry show, as well as benefit from dedicated mentoring from jewellery experts before and during the event.
See the full article here
Many congratulations to Giles Last our BA Jewellery Design Course Leader for winning the Marsh Award for the Encouragement of Medallic Art. This Award, run in partnership with the British Art Medal Society (BAMS), recognises an individual or organisation that has made a significant contribution to the understanding, appreciation and encouragement of the art of the medal.
Congratulation to Diane Jung for winning the Annoushka Outstanding Graduate Award 2019, presented by Annoushka Ducas.
Diana’s collection reflects her interest in the texture, smell and symbolism of laundry. She recalls the sight of a pillowcase on a washing line – an intimate possession, exposed to onlookers as it dries.
Congratulation to Jing Jiang for winning second prize the Annoushka Outstanding Graduate Award 2019, presented by Annoushka Ducas.
Congratulation to Danqi Zhao for winning the Brian Wood Memorial Medal, presented by Margarita Wood.
Danqi’s collection draws on her training in Chinese painting. She wants to remind us of the value of traditional techniques. For instance, the dents that she makes in enamel simulate the effects achieved by brushstrokes on rice paper. The white enamel resembles porcelain, but the unpredictable quality of the metal produces areas on the brooch that are faded or burned.
Congratulation to JunTao Asa Ouyang for winning the Best Use of Pearls Award. Asa’s collection subversively fuses traditional Chinese Lacquer work with 21st century dependence on technology. A painstaking approach to craft that runs counter to digital culture underpins an aesthetic which reflects the philosophy of science fiction films such as Blade Runner and Ghost in the Shell.
Lacquered screens in mother of pearl become spectacles that obscure reality: their function is turned on its head, while peals appear nestled safely in ears, referencing the emergence of wireless devices and high-tech design aesthetics.
Congratulation to Jing Jiang for winning the Best Use of Non-Precious Metal.
Jiang’s jewellery is a personal interpretation of the complex traditional technique of Tian Tsui, which utilises kingfisher feathers as inlay. Using physical sense as her medium, she sculpts her designs so as to bring together the refinement of traditional Chinese craftsmanship and the minimal aesthetics of western modernism.